Winner of two Walter W. Naumburg Awards—as both chamber musician and solo recitalist—soprano Lucy Shelton continues to enjoy an international career bringing her dramatic vocalism and brilliant interpretive skills to repertoire of all periods. An esteemed exponent of 20th- and 21st-Century repertoire, she has worked closely with the composers of her time and has premiered well over 100 works. Notable among these are song cycles by Elliott Carter, Oliver Knussen, Louis Karchin and James Yannatos; chamber works by Carter, Fang Man, Shulamit Ran, Joseph Schwantner, Mario Davidovsky, Stephen Albert, Lewis Spratlan, Charles Wuorinen, Gabriella Lena Frank, Bruce Adolphe, Alexander Goehr, Poul Ruders, Anne Le Baron and Thomas Flaherty; orchestral works by Knussen, Albert, Schwantner, David Del Tredici,  Sally Beamish, Gerard Grisey, Ezra Laderman, Sally Beamish, Virko Baley and Ned Rorem; and an opera by Robert Zuidam. In June of 2021 she will make her grand opera debut in Kaija Saariaho’s “Innocence” at the Aix-en-Provence Festival.

An avid chamber musician, Shelton has been a guest artist with ensembles such as the Emerson, Brentano, Enso, Mendelssohn, Chiara and Guarnieri string quartets; the Lincoln Center Chamber Music Society; 21st Century Consort; Speculum Musicae; Da Capo Chamber Players; Sospeso; New York New Music Ensemble; Boston Musica Viva; Da Camera of Houston; eighth blackbird; Dolce Suono Ensemble; the Ensemble Moderne; Nash Ensemble; Klangform Wien; Schoenberg-Asko; and Ensemble Intercontemporain. Shelton has participated in numerous festivals including those of Aspen, Santa Fe, Ojai, Ravinia, Tanglewood, Chamber Music Northwest, Lake Champlain, BBC Proms, Aldeburgh, Caen, Kuhmo, Togo and Salzburg.

Shelton has appeared with major orchestras worldwide including those of Amsterdam, Barcelona, Boston, Chicago, Cologne, Denver, Edinburgh, Helsinki, London, Los Angeles, Melbourne, Minnesota, Munich, New York, Paris, St. Louis, Stockholm, Sydney and Tokyo, working with leading conductors such as Marin Alsop, Daniel Barenboim, Pierre Boulez, Reinbert De Leeuw, Charles Dutoit, Alan Gilbert, Oliver Knussen, Kent Nagano, Sir Simon Rattle, Helmuth Rilling, Mstislav Rostropovich, Esa-Pekka Salonen, Leonard Slatkin and Robert Spano.

Highlights of past seasons include Shelton’s Grammy Nomination (with the Enso Quartet) for the Naxos release of Ginastera’s string quartets, her Zankel Hall debut with the Met Chamber Orchestra and Maestro James Levine in Carter’s A Mirror On Which To Dwell, multiple performances of a staged Pierrot Lunaire in collaboration with eighth blackbird, and, in celebration of the work’s centenary numerous concert versions with ten different ensembles worldwide. Shelton also coordinated two intense eight-day residencies at the University of Oregon (Eugene) and Southern Illinois University (Carbondale), where she coached composers and singers in “The Art of Unaccompanied Song”.

Over the years Shelton has participated in various composers’ birthday and memorial celebrations as follows: Elliott Carter’s 100th in Turin, Italy, and New York; Oliver Knussen's 50th in London; Sir Peter Maxwell Davies' 70th in Turin, Italy; James Primosch's 50th in Philadelphia; both George Perle's and Milton Babbitt's 90th in Princeton and New York, followed in a few years by their memorials. In May 2013 Shelton sang Elliott Carter’s What Are Years for his memorial tribute concert held at the Juilliard School.

Shelton’s extensive discography is on the Deutsche Grammophon, Koch International, Nonesuch, NMC, Bridge, Albany, Naxos and Innova labels, and includes works by Carter, Knussen, Stravinsky, Messiaen, Wuorinen, Del Tredici, Adolphe, Rands, Ginastera, Kim, Le Baron, Baley, Ung and Schwantner, among many others.

A native of California, Shelton’s primary mentor was mezzo-soprano Jan De Gaetani. Shelton has taught at the Third Street Settlement School in Manhattan, the Eastman School, the New England Conservatory, the Cleveland Institute, the Tanglewood Music Center, and the Britten-Pears School. In the fall of 2007, she was appointed to the Manhattan School of Music’s innovative Contemporary Performance Program faculty. Additionally, Shelton teaches privately in her New York City studio.

In recognition of her contribution to the field of contemporary music, Shelton has received Honorary Doctorate Degrees from both Pomona College (2003) and the Boston Conservatory (2013).